In music, serialism is a method or technique of composition that uses a series of values to manipulate different musical elements. Aleatory music, also called chance music, (aleatory from Latin alea, “dice”), 20th-century music in which chance or indeterminate elements are left for the performer to realize. The term is a loose one, describing compositions with strictly demarcated areas for improvisation. What's another word for indeterminate? Here's a list of synonyms for this word. What is the Afrikaans word for indeterminate? What is the Albanian word for indeterminate? What is the Amharic word for indeterminate? The term Schoenbergian serialism is sometimes used to make the same distinction between use of pitch series only, particularly if there is an adherence to post. Another Term For Serialism 12Another term used to make the distinction is 12 tone serialism. Serialism has been described by its practioners as an extension and formalisation of earlier methods of 'cellular' thematic and motivic unification in. Serialism - Free net encyclopedia. From Free net encyclopedia. In the European classicalmusic theory, serialism is a set of methods for composing and analyzingworks of music based on structuring those works around the parameterization of parts of music: that is, ordering pitch, dynamics, instrumentation, rhythm and on occasion other elements into a row or series in which each gradation is assigned a numerical value within that series. Another Term For Serialism Google![]() In its strict definition each pitch, dynamic, colour or rhythmic element should only be used in its order in the series and used only once until the series repeats. The terms total serialism, integral serialism and multiple serialism describe music which is serial in several parameters. Many composers wrote (and continue to write) serial pieces, and elements of 1. Igor Stravinsky, Benjamin Britten, Aaron Copland, Arvo P. The use of mathematical concepts to control musical parameters has influenced composers who have not adopted strict serial methods, including Elliott Carter and Iannis Xenakis. Integral serialism was influential in the development of electronic music and synthesized music. Serialism is often broadly applied to all music written in what Arnold Schoenberg called . It is sometimes used more specifically to apply only to music where at least one other element other than pitch is subjected to being treated as a row or series. The term Schoenbergian serialism is sometimes used to make the same distinction between use of pitch series only, particularly if there is an adherence to post- Romantic textures, harmonic procedures, voice- leading and other audible elements of 1. In such usages post- Webernian serialism will be used to denote works which extend serial techniques to other elements of music. Another term used to make the distinction is 1. This extension and formalisation is seen as having been motivated by the intensifying drive towards chromatic saturation and the resulting need to unify without using tonality. A row may be assembled 'pre- compositionally' (perhaps to embody particular intervallic or symmetrical properties), or it may be derived from a spontaneously invented thematic or motivic idea. Composing a serial work involves continually re- rhythmicising the various reappearances of the row in its Original, Retrograde, Inverted and Retrograde- Inverted forms as these are distributed through the various elements of the texture and employed to create accompaniments and subordinate parts as well as the main themes; each of these forms may also be transposed to begin on any note of the chromatic scale. Each row or series is supposed to have three other forms: retrograde, or the basic set backwards, inverted, or the basic set . The basic set is usually required to have certain properties, and may have additional restrictions, such as the requirement that it use each interval only once. The most common requirement is that first half and second half of the row not be inversions of each other. The series in itself may be regarded as pre- compositional material: in the process of composition it is manipulated by various means to produce musical material. Twelve- tone music is regarded by some as a sub- category of serialism, whereasand others regard serialism to be an outgrowth of twelve- tone music. Many composers used modal organization, and others began to use alternate scales within a tonal context provided by jazz. There was an increasing movement to avoid any particular chord as being central, which was described as atonal or pantonal. Composers seeking to extend this direction in music began to search for ways to compose systematically. He analogized this process to the contrapuntal rules of Bach, arguing that as Bach's rules produced tonality without referencing it, so his rules produced a new basic means of structuring music which was not yet understood. It is for this reason that Schoenberg is often referred to as the . With the rise to power of Adolf Hitler and the implementation of . There were two reasons, one was simply the nature of the composers as . Avant- garde forms of art were thus banned, even if the artist was a political adherent of Nazism. Most of the major concepts were named, refined, and a series of notational conventions were developed in order to deal with the particular problems of serial composition. They began creating individual sets or series for each element of music.
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